This has a nice, polyrhythmic quality to it, just from the getgo. Archive All posts by date. Your comment will be queued in Akismet! It makes me feel like I'm broke and wearing a slip that doesn't belong to me, and my hair's combed the wrong way; it makes me feel funny, even as a listener. My wild guess would be Jeremy Pelt playing flugelhorn. I don't understand why guys have to push themselves and say "wow! It was really well-done. I like that. In the first place, a band with that instrumentation fucks up an arrangement - the saxophones particularly. No matter how long you listen to it, it doesn't sound any good.
Four years ago, the last time Miles Davis was blindfold-tested, I remarked that he was Not a single jazz instrumental. Prologue, the Magic Garden.
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[Archive] Blindfold tests SPEAK OUT. listening to jazz enjoying the prefatory extracts from Downbeat blindfold tests in Leonard . Prologue, the Magic Garden. Four years ago, the last time Miles Davis was blindfold-tested, I remarked that he was "unusually selective in his listening habits.
. Prologue, the Magic Garden. You know, there's a little thing that trumpet players play to make a jazz sound.
So too have the great bandleaders largely vanished in the age of the super producer and jet-setting DJ. Interesting voicings, first of all. Hard tune. Is this a Kenny Dorham tune? Billy Taylor Dr. He's a good trumpet player, but that's some corny-ass shit he plays here.
I told Diahann Carroll about an idea I had for her to record, based on things like that.
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|I don't understand why guys have to push themselves and say "wow! You can't even turn on with any kind of dope and get any feeling to play if you don't have it in your heart. You know, white folks made Negroes tom a long time ago by giving them money.
Tony Oxley? She could sing it in any kind of musical form - eighteenth century, today's beat, and she can say the statement over and make the background change the mood and change the time.
Miles Davis Interviews
TM: He hit the inside Carole's Garden from 'Carnival' on Columbia. Posts about Blindfold Test written by critic “In contemporary society, we think about jazz music in jazz clubs or in theaters. It's always the same It's been this new-found bounty of exploration, like playing in a garden.”. Seems like a good time to run the uncut version of the Blindfold Test If it's not Russell, it's somebody who has what I call a really good jazz trumpet sound.
“Oshogbo” (from Adam Rudolph, DREAM GARDEN, Justin Time.
It might be one of those audiophile recordings with one microphone in the church. You could tell they don't feel like playing this.
Antonio is a wonderful drummer and he was right in the pocket on that one.
Blindfold tests [Archive] Jazzcorner's Speakeasy
I remember when he did it. Get the best cultural and educational resources on the web curated for you in a daily email.
Something about the conception makes me think that—at least the piano player.
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|I heard him in New Orleans at Snug Harbor. Why put that on record? Home About. I like the chord progression. A lot of chops, a lot of good ideas.|
Likewise, the prologue from the Fifth Dimension's Magic Garden gets a. All blindfold tests are with Leonard Feather for DownBeat magazine unless otherwise stated. This page at the Leonard Feather Jazz Collection actually has dozens of blindfold tests Denny Zeitlin – Carole's Garden (Carnival, Columbia).
In The Art of Jazz: Essays on the Nature and Development of Jazz. Garden City, N.Y.: Doubleday, Evans “The Jazzman as Critic: The Blindfold Test.
Really interesting. The time they were playing was too right, you know. But if something sounds terrible, man, a person should have enough respect for his own mind to say it doesn't sound good.
Blindfold Test Today Is The Question Ted Panken on Music, Politics and the Arts
You don't write arrangements like that for white guys. We thank you!
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|You know what I mean?
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You can be black and no good, white and no good. You see the way they can fuck up music? That's where Archie and them got that shit from; there sure ain't nothing there.
You don't write arrangements like that for white guys. Jim Webb, composer, arranger. Nailing it.